I’ve used quite a few Speakers in the last 12 years (or so) I’ve been working on Audiostuff. I started with some passive Tannoy’s (not so much a fan of those) but over the years i also used:

- Yamaha MSP 7 (great speakers) – around 1000 EUR for a pair

- EMES Black TV HR Active (unique / rare / kinda good but you really have to get used to them / technically a good concept tho’) around 1400 EUR for a pair

- Genelec 1032a (they are good / really analytic – don’t like the overall sound tho’)  around 1800-2000 EUR for a pair

- ME-Geithain RL 904 (unique german brand but quite common / really analytic / don’t like the overall sound tho’ you really have to get used to them) around 2500-3000 EUR for a pair

- Dynaudio BM6A (really loved them , great speakers) around 1300 EUR for a pair

- Fostex pm 0.5 (meh … not so good but better than any common, random plastic PC speaker) around 150-180 EUR for a pair

- KRK RP6 RoKit G2 (one of best speaker I’ve used esp. in that price range … great over all sound / powerful, quite balanced, good low-end, analytic but not too much, you actually can kinda enjoy listing to stuff) around 400 EUR for a pair

and i also used some KRK RP5 RoKit G2 on smaller workstations and as Surround speakers – around 290 EUR for a pair

So i really loved the last setup i had: a KRK 5.1 setup with 3x RP6 ‘s and 2x RP5′s. I used that the longest time and really got familiar with it … enjoyed using it.

But then I changed my Job, I did go freelance (as you might know I work for all kinds of projects and people now – like for ScruffyTV (a lot of Podcast work there in addition to other stuff) and even more so on more audio based / orientated stuff) So anyway, I kinda had to leave my beloved KRK setup at my old workplace.

Anyway … now i thought, well lets see how good the cheaper stuff really is – since i got asked a lot what cheap Studio-Speakers people should get, people who just get started. I did quite some research and it seemed that most small and “cheap” speakers (like most 5″ speakers) are not so good for accurate and have not so good sound reproduction for any sound stuff, esp. if you have a pro’ish approach to / for your work. At the end of the day I was kinda left with really only two “low-priced” options:

The quite common M-Audio BX5 and the Samson Resolv A6 both of which got good some notes (so to say) for the low price they go for.

So i got both for a test-run

First of the Samson Resolv A6. The price in Germany is around 175 EUR for a pair, which is actually quite cheap for a pair of 2-way 6.5″ speakers. And for that, they are actually surprisingly good. Keep in mind of a pair of KRK RP6 (same size, almost same spec’s) you pay around 400 EUR (and even that is considered a lower priced speaker). Now they have a lil bit of a lower end issue in terms of not quite power full and precise in that range (so really not like the KRK’s) But if you have a not so good room that actually can be good (if u have a good listing spot and get used to it)

also they are missing a bit in the higher mid range and maybe a little bit of too much emphasized in the 150-300 Hz area but that really shows only in a few tracks (and if u don’t have a perfect placement of the speakers). Over all they are quite good sounding. They have an open sound. For the price range analytic enough to get pro work done. The Stereo-filed is ok, actually good for a Studio-speaker in that price range. I actually was surprised how much really i can hear single instruments in some tracks / mixes.

They have a lil issue with some white noise in “Standby” but that actually should be not a big issue for mixing at all. You only will notice that when you have nothing playing. And if you want to dial in stuff like “noise reduction” on some audio recordings you always could use headphones to make sure its it ok, but really it’s not that bad at all – really just a little bit white noise.

Now, these speakers are quite big and kinda heavy, so for smaller rooms and for people “on the road” a bit too much maybe.

So for a common Edit-Suite setup it might e bit tricky to get a good placement. They are not as uncomplicated to place to get a good sound out of them. I always had the feeling the placement of the KRK’s was less “complicated”. It kinda was like the KRK’s sounded good everywhere. Anyways, sometimes its better to get smaller speakers (like the KRK RP5 RoKit’s – in that size really nothing comes close in the price range). But I did read that the smaller Samson Resolv A5 are not as good as the these bigger Resolv A6. So that is not really an option.

So, over all quite good speakers for the money. Are they as good as KRK RP6 RoKit’s? …not really. But the Resolv A6 are really usable esp. if you just get stared and have to keep your start-investment costs low. If you get experience with them, get to know them – so to say – you really can get work done!

Technical specs are good: a 2-way 6.5″ woven carbon fibre woofer with 75W, 1″ silk dome tweeter with 25W, (so overall 100W) frequency response is in the 40Hz-30kHz, there are XLR and 1/4″ balanced inputs and unbalanced RCA inputs its AV / magnetically  shielded and solid MDF case construction. There is a High Frequency adjustment knob that can be helpful if needed and actually is rare in that price range of speakers. The volume knob is a bit tricky to adjust in lower volume levels so it might take a lil while to get both speakers set to the same level but in the end it works. Oh BTW the low frequency port is on the front … what in my experience is better esp. if you don’t have “perfect” placement of the speakers. (too close to a wall / in a corner)

The other candidates are the M-Audio BX5 – 177 EUR for a pair – (i got the older version so the newer BX5a might be a bit better but overall these are the same). The BX5′s are well made and actually have a good size for smaller rooms and the usual editing suite setup.

In terms of Sound, I’m not so sure. Even though they are quite powerful for the size and have a good strong low-end for the size, they really have a noticeable lag in the mid-range, so they really don’t sound open at all. if you have an orchestral track (movie score) for example there really is all the “wood” and open sound missing… you really have a hard time getting the room and clearness of a mix.

The high range is actually good, maybe a bit too “fine” but quite analytic with a somehow odd “rolloff” tho’. It sounds too sharp in a way.

So in the end I have to say they are not as good as the Samson Resolv 6A. One good thing is tho’ that these speakers are quite common in home studios and even edit suits so people are used to them and it might be possible that you “have to” / might use them at some point.

Technical specs are ok: it’s a overall 70W speaker with a 5″ woofer and 1″ tweeter, magnetically shielded, balanced XLR and balanced/unbalanced TRS inputs, volume control (that actually works good and smooth). The low frequency port is on the back of the speaker  … what in my experience is tricky / not so ideal esp. if you don’t have “perfect” placement of the speakers. (too close to a wall / in a corner) so i kinda noticed a bit of a low end “overload” for some tracks i played … not too bad just something you might keep in mind.

In conclusion: If you don’t have the funds, have to save some money you really could get away with the Samson Resolv A6. They really sound good/ok for the money. If you have the funds go with the KRK RP6 RoKit G2 tho’.

I really would not recommend the M-Audio BX5(a) even though they are common (oddly )  and small they really just sound not right / not good enough to compete with the SAMSON’s or even more so with the KRK’s at all.

At the end of the day – if you really want to deliver a good mix – you really should check speakers for yourself – listen to your reference tracks on them.

As for all speakers  – even the expensive ones – you have to get to know them, you have to get experienced with them (so to say). But don’t get any random audio speaker that doesn’t sound “right” for you.

These are some quick tips for more precise audio work in Premiere Pro …
Setting up your workspace and switching your sequence to Audiounits so you can line up audio clips better in your sequence.

THIS IS THE VIDEO I WAS WORKING ON IN THAT PROJECT: vimeo.com/66087839

blog: film-sound-color.tumblr.com

music (via VIMEO MUSIC STORE):
6th Sense

Voice-Over was recorded with the SAMSON G-TRACK …. test & review will be online soon

here is the thing well i can’t decide what version works better…the normal 16:9 / 1.78:1

or the 2.39:1 version…

let me know what u think:

16:9 / 1.78:1

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2.39:1

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UPDATE: Thanks for all the feedback here, on twitter, facebook, LiftGammaGain Forum … seems like the 2.39:1 version is the winner … even the basketball girls like it more …

Audio101 – What is a Submix

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EDITING 101: QuickTip PremierePro Video Usage

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Audio101: Quicktip – Soundmix in Premiere Pro

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Editing101: PremierePro – The Pancake Sequence

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EDITING 101: QuickTip PremierePro – Import a template sequence

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FCPX BTS: retiming & conforming footage

the tutorial page can be found here

NAB and Audio:

So sadly time did run away way too fast at NAB … again … who knew

… so i had not as much time as i would liked to have spend for audio stuff but i eventually saw few things in terms of audio.

1st big thing is ProTools 11 (of course)! With all the new stuff in that update it is the most advanced audio post production software again. Its full 64bit, new awesome plugins and plugin system and Enigne, better Mixer, Bussystem, Levels and finally Offline-Bounce and so much more good stuff … ProTools is back!

avid.com/protools11

In terms of Audio Monitors

Sadly I did not saw or look for RCF they have some nice studio speakers i was keen to hear

rcf.it

But I had the chance to listen quickly to the Focal SM9 … they sounded awesome but are a bit too big and a lil expensive

focal.com  even though they have smaller systems … also in the higher price range … I really like the sound tho’

But then again i still think KRK Studio-speakers are the best u can get for the money. Even though i have to say i’m getting to like the Samson Resolv A6 i use at the moment. Even tho’ i think i might upgrade to KRK’s again at some point … I just trust them a bit more

krksys.com

And then there was the Tascam DR-60D of course …. a bit big but nice solution …. very pro but not too expensive… should be a solid audio unit for the money.

tascam.com

Well guess thats it for now.

Stay tuned for a Samson Recolv A6 vs. M-Audio BX5 “review”, also i quick look at some but get Podcast-Mic’s and some quick tutorials on video and sound in the next few weeks!

In the meantime … ROCK ON!

well here are some new desktop backgrounds … click on the pictures to get the full rez version
( its optimzsed for a 27″  but also works on any other 1920×1080 screen )

PostDontStop desktop background – 2560×1440

PostDontStop desktop background – 2560×1440

PostDontStop desktop background – 2560×1440

PostDontStop desktop background – 2560×1440

PostDontStop desktop background – 2560×1440

PostDontStop iPad lock screen

iPad Screen Background

So since the great fellows from PostChat had the great idea of having a #PostDontStop Day
here is some nice stuff  in celebration to win for you guys:

here are the infos about how u can win this and other cool stuff:
http://www.aotg.com/postchat/2012/11/24/render-render-the-fifth-of-december/

or go the the shop and buy one  …or other stuff:
http://550user.spreadshirt.de

Thanks to lacpug for getting Kelley Dixon on the stage and recording & sharing it!

I now can confirm with the updated drivers for the nvidia card (GT120+GTX480) that PProCS6 works perfectly smooth even with a lot of  MagicBulletLook use (h246 and ProRes clips / 1080p25)

here are some links you might want to check:

QUADRO & GEFORCE MAC OS X DRIVER RELEASE for 10.8.2
http://www.nvidia.com/object/macosx-304.00.05f02-driver.html

current CUDA for 10.8.2:
http://www.nvidia.com/object/cuda-mac-driver.html 

Optimize rendering settings:
http://film-sound-color.tumblr.com/post/31268656116/if-u-have-issues-exporting-or-even-rendering-stuff

GPU for Resolve9 AND PremierePro CS6 in ONE system:
http://liftgammagain.com/forum/index.php?threads/gpu-for-resolve9-and-premierepro-cs6-in-one-system.580/

How To Enable GPU Cuda in Adobe CS6 for Mac:
http://film-sound-color.tumblr.com/post/26071716910/how-to-enable-gpu-cuda-in-adobe-cs6-for-mac-by

some more info here:
http://cannes2012.grey.com

thats my CUDA status on my 2009 MacPro

if u run MacOS 10.8.1 / PPro 6.0.2
make sure u have CUDA 5.0.24 and Nvidia driver 1.3.4.0 (304.00.00f20) running really helps and makes PPro more stable! (not tested or even updated to MacOS 10.8.2 yet tho’)

QUADRO & GEFORCE MAC OS X DRIVER
http://www.nvidia.com/object/macosx-304.00.00f20-driver.html

NVIDIA CUDA 5.0 FOR MAC RELEASE
http://www.nvidia.com/object/cuda-mac-driver.html 

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