Well …since i want to concentrate more on sound & audio post production…here are some desktop backgrounds & stuff for sound fellows:
and if you like there are some Tee’s as well!
Well, that’s where i‘m coming from … 12 years ago ( or even before ) i started in radio broadcast … and did lots of things with sound … i don’t want to talk about that work now … i want to talk about some essential solution gear you need to work with your sound.
First of all its the software you are using for post. well there is ProTools a really great tool i really love ist … but its the mots expensive one you can get … and the LE systems are not up to date ( with just about 48 tracks working at the same time … )
Nuendo is the most advanced Native System but its expensive too … but if you want all the option AND you have the money (or a windows machine) go with that … cubase is good too but more Music oriented… but it should work too (especially if you have an windows machine)
I use LogicPro (version 8 o. 9 is quite good) cuz it’s the best solution for the money … and you get tones and tones of samples, loops, and sound-fx to work with (great stuff … we us them all the time) … and if you just about to start try LogicExpress … its great for starters.
Well we got that covered … now i could go thru all the fancy stuff i like or would like to own … but the reason for this is to let you know the essentials of necessary things you have to have…
So here is the cost-effective Version of stuff i know and or work with (so i can recommend it
At first you need an Audio-Interface that also enables you to record something with an mic … that even could work both – in a studio-like-envoierment for some kind of Voiceover or Podcast-recording and on Set as well as an on Location to Notebook recorder.
On thing you have to keep in mind with this „audio-interfaces“ the digital inside is almost the same … you get good quality with all new Interfaces … only thing that different is the built quality, noise level and quality of the Mic-Pre-Amp and the driver for your computer. In the end you have to consider how professional your interest is … you can get good results even with the cheaper stuff.
Tascam US-100 USB 2.0 Computer Audio Interface
Tascam US-122MKII – USB 2.0 Computer Audio Interface
PreSonus AudioBox USB – Audio Recording Interface
tc electronic Desktop Konnekt 6 – FireWire Audio Interface
Tascam US-800 – 8 Input, 4 Output USB 2.0 Audio/MIDI Interface
Tascam US-1641 – USB 2.0 Recording Interface
All are good & workable … i don‘t recommend M-Audio or Behringer … not that good of a quality and you will run in some software / driver problems (i had them …a pain … really)
On thing you can use the Zoom H4n as an Audio interface via USB you can even use the XLR inputs but it’s not made for that in the first place … so you don’t have that much of options & quality to monitor (just a headphone jack . not that good for connecting Audio Monitors)
next part – i make it quick:
Quite good for voice over recording in a Studio environment or Podcasting is a Large-Diaphragm-Condensers (you need phantom power which all the interfaces on top have even the H4n)
i like, use & recommend
Great sound for male Voiceovers, very powerful but a lil explosive sensitive so make sure you haven an pop-killer.
Very open and nice clean sound … pretty much an all-round mic even for female voices not that intense & powerful (AT4033 might a better solution)
quite ok too are:
MXL Mics (like the MXL 2006)
Studio Projects or SE Electronics
Ok last thing you have to have and quite important as well:
… make sure you don’t get the cheapest option …. they most likely sound like that … and if you mix some soundtrack, voice or music you son’t want that. so in the end you have to know your speakers (so listen to you favorite music, movies and stuff to get familiar with them in your environment and if you have the chance even test some speakers with your favorite Tracks before you buy them … you always should consider powered version (with amp built-in, cuz the amps are 50% of making the “sound” of an Speaker
i would recommend:
Fostex PM0.4 as an budget- / cheapest version
KRK RoKit 5 G2 for smaller rooms
KRK RoKit 6 G2 for normal usage
both KRK’s are very clean & powerful … very universal to use
maybe even M-Audio Studiophile BX5a or BX8a
i don’t like the very cheap M-Audio or Edirol stuff you won’t have any “fun” with them… believe me.
You might want to have even some headphones … but don’t make you master mix with them … most likely its to “powerful” (loudness)when you listen with them and you will get disappointed when you hear it on speakers;)
so i would recommend Sennheiser HD 201 they are quite inexpensive and good sounding for the money (not that cheap of a midrange sound cheap headphones have) and they are quit comfortable to wear over a longer period of time.
So that’s it we got the essentials covered …. in the end its a matter of Taste and money and experience… you can make work everything
My “high-end” version … if you have some money to spend … try this: (but i let you know, there even some more expensive options)
RME Fireface 800 or 400 (i use)
(studios we rent have them)
Neumann TLM 103 or U87
Rode Classic II
AudioTechnica AT4033 or AT4050 (i use)
(studios we rent have them)
Dynaudio Acoustics BM6A
or Yamaha MSP7
or KRK VXT6
or KRK Expose E8B
Beyerdynamic DT 770 Pro (i use)
(studios we rent have them)
or Beyerdynamic DT 250
or Sony MDR-7509HD
BTW for all my European fellows great vendor i recommend: http://www.thomann.de/
well it’s been a while since the last vimeo’ing (as i call it )
but i have a job too, u know … anyway
two nice hint’s, you have to watch:
nice web-add (kinda web game- intro) for adidas made
by a swedish add-agency
great sound design, 3D work and compositing
great glidecam 2000 HD – skater – clip
our DP loves it … shot with 7D and 5DmkII
with canon 16-35mm f/2.8 & sigma 50mm f/1.4